There is an elusiveness to these paintings as in some the tonality of the shape differs little from that of the background. The art critic Jackeline Barnitz wrote: ”………….The forms, which seem fixed in infinite space, appear like the mystical counterparts of some concrete architectural version. Miss Rabinovich’s work has evolved over a period of time from real but contemplative landscapes to totally spiritual ones through simplification and gradual elimination of texture without sacrifice to tonal liveliness.”